Third Prize, Nathan Carr Milivoy Webber writing competition 2021

Squiggles by Jen McGregor

Squiggles. That’s what I used to call her. Partly because of her hair – growing out of her head in little squiggles, but that wasn’t where it really came from.

No, it was from when she was two, and her big brother had just learned to write his name at school. Eilidh was determined to write hers too, so she went and got her crayons and made her daddy write her name so she could copy it, just like Alisdair’s teacher had done for him. Then she took her favourite crayon, her blue crayon, and she had it in her fist, with her head down so her nose was just about touching the paper, and she was like that for about fifteen minutes until she came up to me with this solemn look on her face and said “Here you go, Mummy. That’s my name. Put it on the fridge.” And I looked at it and she hadn’t even tried to copy the writing at all! She’d just drawn all these squiggles. So, I looked back at her and asked, quite seriously, “Is your name Squiggles?”

And she looked at me – she was such a serious wee lass, you could never tell if a thing would make her laugh or cry. I raised my eyebrows, making myself look even more serious, and that’s when she decided to laugh. And then she wouldn’t stop laughing, and said yes, that was her name, and it just kind of stuck. I kept calling her Squiggles even when she was too old for that sort of thing and would just sigh and pretend she didn’t know me.

Telling her I was dying was… Well, you can imagine. Jim offered to tell the kids, or I could have got the doctor to do it, but… The poor doctor, he was only about Alisdair’s age himself. Must have drawn the short straw. Looked like he’d rather be anywhere else, like he was wondering why he hadn’t just skived school and got a job at McDonalds. He was sitting in the chair next to my bed, and I was patting him on the shoulder and shushing him and thinking about how his shirt needed an iron. I knew what he was saying, but he could hardly get the words out. He kept getting as far as “I’m so sorry, Mrs. Curran,” then he’d stammer and start again so I just said “I know. It’s ok. I know.”

And I did. I knew. I knew the minute I saw his face. Truth be told, I knew the minute the ultrasound man stopped as he was going over this bit here and went over it again. I knew when they said I’d to get a biopsy. I knew this was what they’d been looking for, even though they hadn’t said the name. All those tests I’d had over the last year. All those times when they’d told me it was stress or IBS or the menopause – because if you’re my age, everything’s the bloody menopause – I knew it was this. Cancer. Too fast and too aggressive to fight it, or even to slow it down. Sometimes you just know, it’s like your whole body saying to you “Come in Number 99, your time’s up!”

So I couldn’t let the wee doctor lad tell my family when I’d had more time to get used to the idea than he had. I told Jim first, and I could see how hard it hit him, but I could see him push it down into that part of his brain where he keeps things to be dealt with later. And he said he’d tell the kids, and I said maybe he could tell Alisdair. Ally’s never really liked to show his feelings in front of his mum. He’d be better off with his dad. They could shrug and be silent about it. But Eilidh needed to hear it from me, and I needed to be the one to tell her. So I did.

And she looked at me, just the same look on her face that she had that day she tried to write her name. And I remembered that, and I raised my eyebrows like I did back then and wished she’d laugh. I could have done with seeing her laugh. But this time she didn’t. This time she just stared at me and said “Mum, I can’t manage without you.”

And I just said “Oh, Squiggles. You’re going to have to.”

Jen McGregor is a writer, dramaturg, and director. Her play Heaven Burns won the 2018 Assembly Roxy Theatre (ART) Award. Writing credits include Sons of God (Piccolo Theatre of Milan, Italian tour), Volante (Hothouse @ Traverse, EMSF, Tom McGrath award), Canto X (Fronteiras Theatre Lab/Manipulate), Screech (Stellar Quines’ Make Do & Mend), The Premorial (Birds of Paradise/Perth Theatre) and Ghost Stories (Pitlochry Festival Theatre).